5 Things We do as Jazz Musicians That Have Made it America's LEAST Popular Genre (1.4% in 2015)

I know I’ll get some flack for saying some of these things. I’ll just start by saying I’ve done every single thing on here. Not one, a couple, most… every single one. This post is coming from a place self-awareness/self-critique as much as it is about general trends I’m seeing in our field. It goesContinue reading “5 Things We do as Jazz Musicians That Have Made it America's LEAST Popular Genre (1.4% in 2015)”

Fetishizing Black American Music

In the age of information channels that require no qualifications to reach millions, college juries where young jazz musicians are rated on a scale of 1 to 10, and mass exportation and exploitation of black culture, Amiri Baraka’s essay, “Jazz and the White Critic” on the faults and arrogance of white criticism of jazz musicContinue reading “Fetishizing Black American Music”

Conversation with NEA Jazz Master, Sheila Jordan

Recently for my Jazz History class at school, I was tasked with interviewing a musician connected with the bebop movement. Sheila Jordan, a friend and mentee of Charlie Parker’s, Duke Jordan’s former partner, a former student of Lennie Tristano (said by Max Roach to be the leader of the “downtown” school of bebop), and ofContinue reading “Conversation with NEA Jazz Master, Sheila Jordan”